Tribal Story
₹ 5,500.00
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The painting shows how the tribal youth goes hunting and come back with their catch.
| Dimensions | 22 × 28 in |
|---|---|
| Brand |
Pingla – Patachitra |
Reviews (0)
Shipping & Delivery
Our Delivery Partner
FEDEX
SHIPPING AND DELIVERY CHARGES
- Our standard charges for any product is INR 100. In case of bulk orders please request a quote from our team by filling up the form given in Contact page of the website. We will get back to you soon. Please mention in details about your query along with your Full Name, Phone Number and Email.
Related products
British Raj
Art speaks for time. The Pata Maya or Patachitra of Bengal, since time immemorial, has been the testimony of time. Our country served as a colony under the British rule for two hundred years and this painting depicts the socio-economic contrast between the British ruler and his indigenous servant of the then India.
Lady with Guitar
A modern lady of the then Kolkata is painted here in this art piece by Bahadur Chitrakar. The get up of the lady suggests, she belongs to the affluent and literate class of urban Kolkata, who were privileged of being introduced to education and would get the liberty of pursuing their hobbies. The painting holds up a picture of the socio-economic scenario of the era. Such paintings are testimony of their time.
Manasa Mangal
This painting, by Bahadur Chitrakar, is a scene from the Manasa Mangal, also known as Padmapuran, a folk lore based on Hindu mythology. The deity of snakes, Devi Manasa is one of the protagonists of the story who compels Chand Saudagar, a rich businessman, to worship her by hook or crook. Chand was a worshipper of Shiva and he would never want to pay homage to Manasa. To fulfil her desire, Manasa sends her snakes to bite Chand’s son Lakhindar to death. Behula, the wife of Lakhindar, takes all the pain to make piece between Manasa and Chand, and subsequently gets back her husband to life.
Modern Bibi
A lady of the then Kolkata, supposedly from the modern urban society, holds the hookah and the hand fan. Baharjan Chitrakar has created this art in her younger days. She has narrated the change coming in the society of her time. This piece of art, quite an old one, narrates the socio - economic revolution of the then Bengal.
Recently Viewed Products
Mukha-Dinajpur
Mukha-Dinajpur
Narshimha – Hanging Wooden Toy (single item)
Manasa Mangal
This painting, by Bahadur Chitrakar, is a scene from the Manasa Mangal, also known as Padmapuran, a folk lore based on Hindu mythology. The deity of snakes, Devi Manasa is one of the protagonists of the story who compels Chand Saudagar, a rich businessman, to worship her by hook or crook. Chand was a worshipper of Shiva and he would never want to pay homage to Manasa. To fulfil her desire, Manasa sends her snakes to bite Chand’s son Lakhindar to death. Behula, the wife of Lakhindar, takes all the pain to make piece between Manasa and Chand, and subsequently gets back her husband to life.
Lord Narashimha Mukha-Dinajpur
Lord Hanuman. Mukha-Dinajpur
British Raj
Art speaks for time. The Pata Maya or Patachitra of Bengal, since time immemorial, has been the testimony of time. Our country served as a colony under the British rule for two hundred years and this painting depicts the socio-economic contrast between the British ruler and his indigenous servant of the then India.
Sita Haran
The famous scene of abduction of Seeta by Ravana, as depicted in Ramayana, is painted here in this piece of art by Bahadur Chitrakar. The giant bird Jatayu came to rescue Seeta but could not succeed as he got wounded by Ravana’s sword. Such stories of the Hindu epics make for the subjects of many of these art pieces by the Pata Shilpis. It’s quite an old piece of art and is a heritage of Bengal’s culture.
Mukha-Dinajpur
New
Reviews
There are no reviews yet.