Mukha-Dinajpur
₹ 1,500.00
Mukha art of South Dinajpur from West Bengal. The wooden masks is the prime occupation for the locals. Visit the Mukha section and bring home these colorful creations to decorate the walls.
| Weight | 0.7 kg |
|---|---|
| Dimensions | 7 × 13 in |
Estimated delivery by: 17/08/2025
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Painted in black and white, the old Kolkata’s Babu and Bibi (man and wife) talks about a common pass time for the couples, chatting and smoking. The painting style is known as ‘Kalighat er Patachitra’ which connects to Kalighat, the famous pilgrimage in Kolkata, and depicts the city life. Rajesh Chitrakar, an artist of the new generation has learned and mastered the art so well.
Babu Bibi
A narrative of a regular couple’s life where the Bibi (wife) is sulking and the Babu (man) is trying to get her back in good mood by pampering her. Such stories, back in time of no television, would serve as the source of entertainment to village women. This one is done by Bahadur Chitrakar, who in his youth, would sing along and the audience would sit together in one of the courtyards of the village to listen and enjoy.
Lady with Guitar
A modern lady of the then Kolkata is painted here in this art piece by Bahadur Chitrakar. The get up of the lady suggests, she belongs to the affluent and literate class of urban Kolkata, who were privileged of being introduced to education and would get the liberty of pursuing their hobbies. The painting holds up a picture of the socio-economic scenario of the era. Such paintings are testimony of their time.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The artwork showcase a dance performance by the young tribal boys and girls.
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The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors.
Manasa Mangal
This painting, by Bahadur Chitrakar, is a scene from the Manasa Mangal, also known as Padmapuran, a folk lore based on Hindu mythology. The deity of snakes, Devi Manasa is one of the protagonists of the story who compels Chand Saudagar, a rich businessman, to worship her by hook or crook. Chand was a worshipper of Shiva and he would never want to pay homage to Manasa. To fulfil her desire, Manasa sends her snakes to bite Chand’s son Lakhindar to death. Behula, the wife of Lakhindar, takes all the pain to make piece between Manasa and Chand, and subsequently gets back her husband to life.
Kamale Kamini
A depiction of Kamale Kamini, the Hindu deity called Devi Chandi, is here in this painting of Bahadur Chitrakar. The famous Bengali folk lore, Chandi Mangal, written by Kabikankan Mukundaram, tells the tale of Devi Chandi, supposedly another avatar of Devi Durga. The goddess was seen sitting on a huge lotus flower in the middle of the sea and gobbling an elephant and then throwing it up. She would repeat this time and again. The story is long and this painting was used to tell the story to villagers in olden days. It is a very old piece of art.
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