British Raj
₹ 4,500.00
Art speaks for time. The Pata Maya or Patachitra of Bengal, since time immemorial, has been the testimony of time. Our country served as a colony under the British rule for two hundred years and this painting depicts the socio-economic contrast between the British ruler and his indigenous servant of the then India.
| Dimensions | 12 × 22 in |
|---|---|
| Brand |
Pingla – Patachitra |
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The Patachitra of Pingla generally depicts the stories of Hindu mythology. In this artwork we can see the Hindu God Kartik with his peacock, done by Suman Chitrakar. The colours used in these artworks are all derived from natural elements; for example green is made from leaves, yellow from turmeric, etc.
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Lord Shiva has always been a much sought after figure of Patachitra, as these paintings, when done on the back of clay saucers instead of papers, are used in the place of clay idols of deities and are worshipped in the household of many common Bengali people. This is also quite an old piece of art done by Bahadur Chitrakar.
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The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. This painting shows the courtship of a young tribal couple, surrounded by their friends and playmates.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The painting shows how the tribal youth goes hunting and come back with their catch.
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Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. This painting shows the courtship of a young tribal couple, surrounded by their friends and playmates.
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A couple gets intimate and romantic while spending time together. As a part of a story telling about the regular, day to day life, this piece of art makes for a sweet romantic tale. Such paintings, accompanied by songs, in olden days of no television serials, would serve the purpose of entertainment to the village women. They would listen to the stories sung by the Pata Shilpis and laugh and cry, and become one with the characters. This one is done by a young artist Rajesh Chitrakar.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The artwork showcase a dance performance by the young tribal boys and girls.
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The Patachitra of Bengal has its unique style of using simple lines creating intricate details. The subjects are drawn mostly from Hindu mythology. The all natural colours are made from elements like leaves, soil, flowers and seeds. The choice and use of colours are also very unique and soothing to the eyes and the soul of the viewers. This painting comes from the brush of Rajesh Chitrakar.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. This one depicts the daily life and chores of the tribal people where the men are sleeping while the women are fetching water.
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