Babu Bibi
₹ 4,500.00
Painted in black and white, the old Kolkata’s Babu and Bibi (man and wife) talks about a common pass time for the couples, chatting and smoking. The painting style is known as ‘Kalighat er Patachitra’ which connects to Kalighat, the famous pilgrimage in Kolkata, and depicts the city life. Rajesh Chitrakar, an artist of the new generation has learned and mastered the art so well.
| Dimensions | 12 × 22 in |
|---|---|
| Brand |
Pingla – Patachitra |
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Babu Bibi
A narrative of a regular couple’s life where the Bibi (wife) is sulking and the Babu (man) is trying to get her back in good mood by pampering her. Such stories, back in time of no television, would serve as the source of entertainment to village women. This one is done by Bahadur Chitrakar, who in his youth, would sing along and the audience would sit together in one of the courtyards of the village to listen and enjoy.
Ganesh Janani
Devi Durga is essentially seen as the super power destroying the asuras; but she is a loving mother too. in this painting we can see that she is holding her son Ganesha in her lap with utmost love, care and fondness. It depicts mothers love in a woman who can be as fierce at times too, to save her children from the evil. This is a very famous concept amongst the Bengalis which narrate the power of woman, who can destroy and who can create and preserve at the same time. A painting by Bahadur Chitrakar
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The Chitrakars of Pingla are born to Muslim origin but their paintings and songs tell the tales of Hindu mythology. Thus they prove that art can rise above all religious bias and connect humans on an aesthetic plane. Surprisingly, most of these artists have no so called academic credentials. They learn from life and narrate their thoughts through their art. Bahadur Chitrakar created this art piece.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors.
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The Chitrakars of Pingla are born to Muslim origin but their paintings and songs tell the tales of Hindu mythology. Thus they prove that art can rise above all religious bias and connect humans on an aesthetic plane. Surprisingly, most of these artists have no so called academic credentials. They learn from life and narrate their thoughts through their art. Bahadur Chitrakar created this art piece.
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British Raj
Art speaks for time. The Pata Maya or Patachitra of Bengal, since time immemorial, has been the testimony of time. Our country served as a colony under the British rule for two hundred years and this painting depicts the socio-economic contrast between the British ruler and his indigenous servant of the then India.
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Lord Shiva has always been a much sought after figure of Patachitra, as these paintings, when done on the back of clay saucers instead of papers, are used in the place of clay idols of deities and are worshipped in the household of many common Bengali people. This is also quite an old piece of art done by Bahadur Chitrakar.
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