Showing 106–120 of 132 resultsSorted by price: low to high
Modern Bibi
A lady of the then Kolkata, supposedly from the modern urban society, holds the hookah and the hand fan. Baharjan Chitrakar has created this art in her younger days. She has narrated the change coming in the society of her time. This piece of art, quite an old one, narrates the socio - economic revolution of the then Bengal.
Saraswaati – Indian God
The Patachitra of Bengal has its unique style of using simple lines creating intricate details. The subjects are drawn mostly from Hindu mythology. The all natural colours are made from elements like leaves, soil, flowers and seeds. The choice and use of colours are also very unique and soothing to the eyes and the soul of the viewers. This painting comes from the brush of Rajesh Chitrakar.
Babu Bibi
A couple gets intimate and romantic while spending time together. As a part of a story telling about the regular, day to day life, this piece of art makes for a sweet romantic tale. Such paintings, accompanied by songs, in olden days of no television serials, would serve the purpose of entertainment to the village women. They would listen to the stories sung by the Pata Shilpis and laugh and cry, and become one with the characters. This one is done by a young artist Rajesh Chitrakar.
Lady with Guitar
A modern lady of the then Kolkata is painted here in this art piece by Bahadur Chitrakar. The get up of the lady suggests, she belongs to the affluent and literate class of urban Kolkata, who were privileged of being introduced to education and would get the liberty of pursuing their hobbies. The painting holds up a picture of the socio-economic scenario of the era. Such paintings are testimony of their time.
Babu Bibi
A narrative of a regular couple’s life where the Bibi (wife) is sulking and the Babu (man) is trying to get her back in good mood by pampering her. Such stories, back in time of no television, would serve as the source of entertainment to village women. This one is done by Bahadur Chitrakar, who in his youth, would sing along and the audience would sit together in one of the courtyards of the village to listen and enjoy.
Hand Block Printed Silk Saree – Elegant Traditional Wear
Elevate your ethnic wardrobe with this exquisite hand block printed silk saree. Crafted from premium silk, it features intricate floral motifs in vibrant shades, enhanced with a rich maroon border for a touch of elegance. Lightweight, soft, and graceful, this saree is perfect for festive occasions, weddings, and celebrations.Fabric: Pure SilkDesign: Hand Block Print with floral patternsBorder: Contrasting maroon silk borderOccasion: Festive, Wedding, Party Wear
Timeless Beauty – Silk Saree with Hand Block Print
“Discover the elegance of tradition with our Silk Saree with Hand Block Print. Crafted from soft and lustrous silk, this saree features a stunning black and white color combination, enhanced with intricate hand block printing done by skilled artisans. The lightweight texture ensures comfort, while the unique block patterns add a touch of sophistication.
Whether it’s a festive celebration, a cultural event, or an office gathering, this saree beautifully balances modern style with ethnic charm. Pair it with silver jewelry for a graceful traditional look, or keep it minimal for a chic, contemporary appeal.
This saree is not just an attire – it’s a timeless piece of art that brings together heritage, craftsmanship, and elegance.”
Lord Narashimha Mukha-Dinajpur
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The artwork showcase a dance performance by the young tribal boys and girls.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The painting shows how the tribal youth goes hunting and come back with their catch.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. This one depicts the daily life and chores of the tribal people where the men are sleeping while the women are fetching water.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. The painting shows how the tribal youth goes hunting and fishing. Their hunts are always accompanied by Madal (a kind of drum) the beats of which brings the animals and the birds out of their hide outs.
Tribal Story
The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. A depiction of a tribal marriage ceremony is beautifully borne by this painting.
Manasa Mangal
This painting, by Bahadur Chitrakar, is a scene from the Manasa Mangal, also known as Padmapuran, a folk lore based on Hindu mythology. The deity of snakes, Devi Manasa is one of the protagonists of the story who compels Chand Saudagar, a rich businessman, to worship her by hook or crook. Chand was a worshipper of Shiva and he would never want to pay homage to Manasa. To fulfil her desire, Manasa sends her snakes to bite Chand’s son Lakhindar to death. Behula, the wife of Lakhindar, takes all the pain to make piece between Manasa and Chand, and subsequently gets back her husband to life.
Kamale Kamini
A depiction of Kamale Kamini, the Hindu deity called Devi Chandi, is here in this painting of Bahadur Chitrakar. The famous Bengali folk lore, Chandi Mangal, written by Kabikankan Mukundaram, tells the tale of Devi Chandi, supposedly another avatar of Devi Durga. The goddess was seen sitting on a huge lotus flower in the middle of the sea and gobbling an elephant and then throwing it up. She would repeat this time and again. The story is long and this painting was used to tell the story to villagers in olden days. It is a very old piece of art.