Babu Bibi
₹ 4,500.00
Painted in black and white, the old Kolkata’s Babu and Bibi (man and wife) talks about a common pass time for the couples, chatting and smoking. The painting style is known as ‘Kalighat er Patachitra’ which connects to Kalighat, the famous pilgrimage in Kolkata, and depicts the city life. Rajesh Chitrakar, an artist of the new generation has learned and mastered the art so well.
| Dimensions | 12 × 22 in |
|---|---|
| Brand |
Pingla – Patachitra |
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Babu Bibi
A couple gets intimate and romantic while spending time together. As a part of a story telling about the regular, day to day life, this piece of art makes for a sweet romantic tale. Such paintings, accompanied by songs, in olden days of no television serials, would serve the purpose of entertainment to the village women. They would listen to the stories sung by the Pata Shilpis and laugh and cry, and become one with the characters. This one is done by a young artist Rajesh Chitrakar.
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Devi Durga is essentially seen as the super power destroying the asuras; but she is a loving mother too. in this painting we can see that she is holding her son Ganesha in her lap with utmost love, care and fondness. It depicts mothers love in a woman who can be as fierce at times too, to save her children from the evil. This is a very famous concept amongst the Bengalis which narrate the power of woman, who can destroy and who can create and preserve at the same time. A painting by Bahadur Chitrakar
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A very old piece done by the senior artist of the village of Pingla, Baharjan Chitrakar. She has never been to a school or has never had a formal training in the art. She learnt it from her mother and grandmother as they learnt from their older generations. Done in all natural colours, the Hindu god Ganesha comes alive by the hands of a Muslim female artist. Such is the power of art. It takes one and all way beyond religious, educational or cultural barriers.
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The location of these Patachitra Shilpi or artists falls in a place, popularly known as Jangal Mahal in West Bengal. The area is home to a number of indigenous tribes like Santhals, Vills, Mundas. The paintings, for obvious reasons, depict the tribal culture. One such example by Nazra Chitrakar, who learnt the art from her older generations and is now passing it on to her successors. A depiction of a tribal marriage ceremony is beautifully borne by this painting.
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A lady of the then Kolkata, supposedly from the modern urban society, holds the hookah and the hand fan. Baharjan Chitrakar has created this art in her younger days. She has narrated the change coming in the society of her time. This piece of art, quite an old one, narrates the socio - economic revolution of the then Bengal.
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A depiction of Kamale Kamini, the Hindu deity called Devi Chandi, is here in this painting of Bahadur Chitrakar. The famous Bengali folk lore, Chandi Mangal, written by Kabikankan Mukundaram, tells the tale of Devi Chandi, supposedly another avatar of Devi Durga. The goddess was seen sitting on a huge lotus flower in the middle of the sea and gobbling an elephant and then throwing it up. She would repeat this time and again. The story is long and this painting was used to tell the story to villagers in olden days. It is a very old piece of art.
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The Patachitra of Bengal has its unique style of using simple lines creating intricate details. The subjects are drawn mostly from Hindu mythology. The all natural colours are made from elements like leaves, soil, flowers and seeds. The choice and use of colours are also very unique and soothing to the eyes and the soul of the viewers. This painting comes from the brush of Rajesh Chitrakar.
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