A modern lady of the then Kolkata is painted here in this art piece by Bahadur Chitrakar. The get up of the lady suggests, she belongs to the affluent and literate class of urban Kolkata, who were privileged of being introduced to education and would get the liberty of pursuing their hobbies. The painting holds up a picture of the socio-economic scenario of the era. Such paintings are testimony of their time. 

A rich man and his wife, enjoying leisure time over tobacco, is a common scene from the daily life of the then Bengal. The couple portrayed here represent a wealthy class. The abundance of jewelleries speaks for the affluence of the couple. The old days of Bengal’s socio-economic structure is well depicted in the painting. The art is generally coupled with a song that tells the story of the characters in the painting. Simple strokes to draw the figures and their attire and accessories have created magic here. It’s an art by Rajesh Chitrakar. 

This painting, by Bahadur Chitrakar, is a scene from the Manasa Mangal, also known as Padmapuran, a folk lore based on Hindu mythology. The deity of snakes, Devi Manasa is one of the protagonists of the story who compels Chand Saudagar, a rich businessman, to worship her by hook or crook. Chand was a worshipper of Shiva and he would never want to pay homage to Manasa. To fulfil her desire, Manasa sends her snakes to bite Chand’s son Lakhindar to death. Behula, the wife of Lakhindar, takes all the pain to make piece between Manasa and Chand, and subsequently gets back her husband to life.